Posts Tagged ‘Canon UK’

Monday, 4 January 2010

Love at (almost) first sight – Canon Powershot S90

I was quite excited when Canoncamerabuzz asked whether I was interested in reviewing some gear for CanonUK. I said I was happy to either trial some pro gear at weddings and write about that over at MTP, or compacts privately and write about those over at this blog.

I must admit that when I received the Canon Powershot S90 for my trial, I was initially a little bit disappointed that it wasn’t, say the 1Ds MkIII, and kind of cursed myself for saying that I’d be happy to trial compacts as well. But funnily enough, within 5 minutes of playing with the S90 on Christmas Eve when I (quite fittingly!) received it, I did a complete 180 and was absolutely blown over.

As it happens, only a little while back I purchased the Powershot G11. I really wanted a near enough compact sized camera, which I could carry around in my pocket and take to music gigs etc, which would have full manual control and the capability to shoot raw. To be perfectly honest, I didn’t really know that there were other options out there than the G11 (and the previous models) for what I wanted, so I didn’t really even look around for anything else. Well as it happens, the S90 has exactly the same sensor as the G11, only everything is packed into a smaller body (nearly as small as my Ixus), and the lens is faster at f2 compared to f2.8 on the G11. The question I’m asking myself now is: how did I not even know this camera existed?

Obviously being smaller in size, there are less controls on top of the S90 than the G11 (and lets be honest, it’s these controls that are like a siren call to us photographers looking for a compact). But all that is forgotten once you discover the two click-stopped direct control rings on the S90, one of which is at the base of the lens and is SO very satisfying to use – from setting the aperture to any other functions you might want to assign to it. Now, after having used the S90, I feel a little bit at loss with the G11 without the nice ring around the lens, what a silly thing to omit from that particular camera.

There is really no difference in the quality that these two cameras produce. I like to shoot wide open where ever I can, and both of these cameras allow for me to do that, but the faster lens on the S90 does make a huge difference to me. It also means that it doesn’t really matter that much that the ISO range isn’t as wide as on the G11. The only ‘negative’ on the S90 I can think of is the shorter zoom at 3.8x as opposed to 5x on the G11.

Unfortunately I don’t have very many ‘proper’ samples of photos from the S90, as for some reason the battery charger was omitted from my box – and the battery didn’t fit any of my other gazillion canon battery chargers. I did have the camera with me in Finland, and the battery lasted approximately 2 minutes outside in -16C. (So it’s safe to say the camera/battery is not really the best option for ‘extreme’ conditions).

I did manage to snap a few pictures on New Year’s Eve though. The picture below was taken nearly at midnight. It was pitch black, apart from the street lights, but the S90 didn’t really have a problem. These sort of conditions also show what a difference the ability to shoot raw on a compact makes.

In conclusion, and I REALLY hate to say this, I would recommend the sleek S90 over the bulky G11 any day (not to say that the G11 isn’t a GREAT camera – it is, I just prefer the same greatness in a smaller package). If you are looking for a properly compact sized compact camera, with full manual control and raw ability, this camera is pretty perfect. I really wish I would have known about it before I bought the G11, and am now secretly kind of hoping I could exchange the G11 for the S90… :D

Saturday, 19 December 2009

It’s a big world out there outside of full frame

I started writing this over at MTP, but then decided all this text looked kind of out of place in a photo blog, so thus I moved my ramblings over here. Maybe it’s for the better anyways as God knows this place needs some livening up!

Recently I was invited to attend a round table discussion with Canon UK, which was organised by Canoncamerabuzz. It was an opportunity for me and a few other professional photographers to see the whole lineup of Canon’s DSLRs (including the brand new 1D MrkIV, which started shipping this week) in the same room, and hear about some of the processes behind developing new bodies and lenses.

I didn’t really have any expectations for the evening, apart from getting to fiddle with the 1Ds MrkIII (which was very satisfying indeed – I still definitely cavort over it more than the new 1D MrkIV). What I came away with was a clearer understanding behind Canon’s decisions for their line-up and who the average end user actually is (i.e. not me). As professionals, we tend to have a bit of a skewed perspective on what the next camera models should do and what kind of features they should, or shouldn’t, possess. Add to that the fact that for someone like me, coming from a film background, it’s hard to get my head around the fact that the majority of dSLR consumers these days have never even used film, which was kind of clarified to me when I was questioning why the 1D MrkIV isn’t full frame. As it goes, the market for full frame isn’t as big as I would have though. For me, it’s the only sensible thing to do but, as product specialist Mark Burnhill from Canon UK explained, the majority of dSLR users are of an age that have always shot with a crop sensor, and that’s what they find ‘normal’. To me, that seems completely perplexing! When I started my move to digital, via an EOS 350D and 20D, I felt restricted, not only in what I saw through the viewfinder, but in the fact that I couldn’t use my lenses to their full effect. So when I finally got my hands on the 5D, and subsequently the 5D MkII which I now use, it literally felt like I could breathe normally again. Until I now heard Mark rationalise the issue for me, I couldn’t for the life of me understand why someone wouldn’t want a full frame camera.

The other interesting fact was how infinitely bigger the market is for the lower end models, the pro end of the line is practically a drop in the ocean when it comes to Canon’s dSLR sales. Obviously that is going to have an affect on what the development efforts will be concentrated on. Interesting no? Perhaps this has always been obvious to everyone else, but I’ve never really even considered all of this when scratching my head about why there are so many crop sensor models, and a dizzying amount of different lower-end models with only marginal differences, about. A shocked shiver went through the room when Mark asked us what we thought of the possibility of coloured dSLR bodies, apparently that’s the latest demand from the Japanese market. Uh huh. Give me a pink Ixus to slip into my pocket any time, but please leave that sort of gimmicks out of the ‘proper’ cameras I say!

After all these ‘revelations’, my position hasn’t really changed. Ever since I started using SLR’s in the early 90’s Canon has, and always will be, the manufacturer for me, and in my opinion their lenses are head and shoulders above the rest. And the fact that even after looking at the realities of ‘where the real money is’, they keep on developing new and exciting pro gear for us to play with is a testament to Canon’s dedication to quality picture-making.

How was that for sounding like a real Canon fan girl (which of course I am)? :D


I know, I know, I need to blog about what’s been happening on the house-hunting front, about Cornwall and all the other stuff that I haven’t had time to blog aboout. Soon, I promise. Well, perhaps not a firm promise, but at least a promise to attempt!